Identity Crisis – “Release The Panic” Review

Release The PanicOver the years, Red has floated in and out of that zone of Christian bands who are too hard to be called just rock, but aren’t really hard enough to be hard rock. Their debut, End Of Silencewas a gem, but their subsequent releases became increasingly generic. Before releasing their latest, Red promised a change in style, but whether they followed through is a topic of debate.

Musically, Release The Panic is fairly sub-par for the band. The singing is hasn’t changed much since the band’s inception, but goodness gracious, Michael Barnes’s screams have become awful! Rather than a unique, raw fry scream like End of Silence, or even his decent false chord scream from the previous two albums, it has been replaced with a lackluster yell / growl, which does NOT compliment his voice at all. His voice when singing is near perfect, which actually annoys me. I enjoy hearing the raw emotion of a singer’s voice, and it’s lost when there’s pitch correction, or when the singer sings different parts then edits them together, which seems to be the case here. I am a firm believer that the band should play the song through from start to finish when recording, rather than piecing it together.

But I digress.

The guitars and drumming, in general, have really not changed at all, which is frustrating considering the amount of change the fans (myself included) were hoping for. The differences that the band was referring to are not as apparent as they made it seem. The guitars sound grungier, but that’s about the extent of the change. The really strange thing is how split the album feels. There are heavy songs that are arguably heavier than anything Red has done before, yet the lighter songs sound like they’re made for K-Love. While some of these songs are good on their own, placing them all in the same album makes for a very strange listening experience. Unfortunately, Red has chosen to follow the stereotypical Christian rock formula for most of the songs, which consists of a sung chorus, screamed pre-chorus, and a screamed / sung chorus. While there are a few standout tracks, the music doesn’t stand up to any of Red’s previous records.

Lyrically, the songs are very generic. They cover most of the usual topics of Christian rock: Man is fallen, man needs help, man receives help. What’s worse is that there are very few references to God, blatant or vague. Not a great effort.

Best Tracks:

Despite the new screams, “Release The Panic” is still pretty good, especially the chorus.

While it doesn’t fit in with the rest of the album AT ALL, “Die For You” is a pretty good song on its own.

“Hold Me Now” unfortunately is yet another ‘cry of desperation’ track, but is musically the best track on the album.

Weakest Tracks:

It’s hard to pick a weakest song from this album – not because they’re all good, but because most of them are mediocre.

However, I don’t like “Same Disease.” In addition to yet another song about brokenness, the song comes off as annoying.

Both of the remixes on the deluxe version are mediocre, and obvious attempts to cash in on the dubstep fad. (There’s a definite difference between the legitimate dubstep genre and the fad that it has become.)

Overall Opinion:

While I respect Red for trying to branch out, this album was probably their worst. I don’t think anyone would mind if they returned to their unique, post-grunge sound and refined it rather than changing heir sound dramatically. I doubt any of the musicians in this band were challenged at all during the recording of this album, which is what an artist should always stride for. Unless you’re a diehard Red fan, I’d recommend downloading the first three tracks and ignoring the rest. The best thing to come from this album? A re-release of “Breathe Into Me (Remix Acustica),” which was originally only found on the rare deluxe version of End Of Silence.

5 out of 10 stars.

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